c blog

c blog

critical thinking by a post-conceptual artist

    • About c blog
    • Critical art
    • Second City
    • TNAF ’16
    • TNAF ’17
    • TNAF ’18
    • TNAF ’20’21
    • A leftist very superficial report on AI

      Kate Crawford presents Atlas of AI as a thoughtful academic anatomy of Artificial Intelligence. Though very well written (certainly with good alien editing work), it is more of a leftist journalist ‘investigation’ than a proper essay on AI. What is written by Kate Crawford about AI applies ‘pari passu’ to most technologies since the dawn…

      A C-P

      November 1, 2023
      AI
      Guillaume Duchenne de Boulogne, Kate Crawford
    • “R Mutt 1917”, unfinished business.

      The ‘ready-made’ came much later… Some late feminist art writers insist on devaluating Marcel Duchamp’s primordial importance in the evolution of modern art, claiming that this French artist did not present the infamous Fountain to the famous “First Annual Exhibition” of the Society of Independent Artists at the Grand Central Palace, New York, April 10-May…

      A C-P

      October 15, 2023
      art, artists
      Baroness Elsa von Freytag-Loringhoven, Marcel Duchamp
    • O que importa mesmo é a censura

      Os tontos acreditam na espuma dos dias, ao ponto de se afogarem nela. GALERIA QUADRUM, Lisboa (1973 a 2006) Nome do artista [ano de exposição] 1973-1995 [192 autores] Adelaide Colher [1980]Alan Davie [94]Alberto Carneiro [75, 77, 78, 79, 81, 82, 83, 85, 90]Alberto Jose [83]Alice Jorge [73]Alvaro Lapa [77, 82, 83]Amaral da Cunha [82, 83,…

      A C-P

      September 9, 2023
      activism, art, art theory, exhibitions, ideology
      Art History, Fake, Falsification
    • In advance of an absent mind:

      Histories of a CollectionModern and Contemporary Art from CAM 05 May – 18 Sep 202310:00 – 18:00 SAT, 10:00 – 21:00 CLOSED ON TUESDAYLocationMain GalleryCalouste Gulbenkian Foundation We celebrate CAM’s 40th anniversary with an exhibition that follows the key moments of this important collection, from its first acquisitions in the 1950s until the present day.In…

      A C-P

      September 9, 2023
      art, exhibitions, portuguese art
    • The intersectional wound and the post-contemporary screen

      Preface to a theory of Portuguese art By António Cerveira Pinto As in any critical structure that yields to an excessive accumulation of contradictions, arrogance, repressions, injustices and silences, as in any collapse, revolution, or even a slower mutation, there is, in the change of paradigms, inevitable confusions of ideas and language and the inevitable…

      A C-P

      August 31, 2023
      art, art theory, artists, portuguese art
    • A ferida interseccional e o écran pós-contemporâneo

      Prefácio a uma teoria da arte portuguesa Por António Cerveira Pinto Como em qualquer estrutura crítica que cede a um excessivo acumular de contradições, prepotência, recalcamentos, injustiças e silêncios, como em qualquer colapso, revolução, ou mesmo numa mutação mais lenta, há, na mudança de paradigmas, inevitáveis confusões de ideias e linguagem e os inevitáveis encontrões…

      A C-P

      August 30, 2023
      activism, art, art theory, artists, portuguese art
    • The Fountain’s mystery

      The case of Elsa Plotz « Une réplique, appropriée par Marcel Duchamp (1887-1968), d’un original présenté à la Société des artistes indépendants de New York en avril 1917.» Could this be Fountain’s new museum label? « Raconte ce détail à la famille : les indépendants sont ouverts ici avec gros succès. Une de mes amies…

      A C-P

      June 4, 2023
      art, art theory, cubism, DADA, futurism
      Arensbergs, Atlas Press, Baroness, Baroness Elsa von Freytag-Loringhoven, Béatrix Pernelle, Ben Robinson, Blind Man 2, Charlotte Higgins, DADA, Door Theo Paijmans, Elsa Plotz, Fountain, Glyn Thompson, Holland Cotter, Irene Gammel, Julian Spalding and Glyn Thompson, Man Ray, Marcel Duchamp, Marcel Dushit, Michaël La Chance, Philadelphia Museum of Art, R. Mutt, readymade, Reed Enger, René Steinke, Richard Cavell, Scottish Review of Books, Siri Hustvedt, The Guardian, The New York Times, The Society of Independent Artists 1917
    • Art as a Result of Language

      Three flash essays and synthesis by GPT-4May 22, 2023Prompted by A C-P 1/2 Art and language are intertwined in a complex relationship, with each influencing and shaping the other. Language serves as a powerful tool for communication and expression, while art provides a visual, auditory, or tactile medium through which ideas, emotions, and experiences can…

      A C-P

      May 22, 2023
      AI, art, art theory, flash essay, GPT-4, my work, OpenAI
    • What YOU and GPT-4 think about Jeff Hinton

      1 — A conversation with YOU.com Me — Jeff Hinton said a few days ago that AI may soon become an existential threat to Humankind. Does this opinion make any sense? YOU — Jeffrey Hinton is a well-known computer scientist and artificial intelligence (AI) researcher. He recently made a statement warning of the risks of…

      A C-P

      May 18, 2023
      AI, ChatGPT, DALL.E, GPT-4, my work, OpenAI, post-photography, YOU.com
      Jeff Hinton
    • Não, não é um ovni!

      Da pintura como face oculta da sabedoria na obra de Manuel Casimiro Há duas perguntas que procurarei responder neste texto sobre a trajetória artística de Manuel Casimiro: 1) o que é (ou quem é) esse ovóide que aparece em quase todas as suas obras, determinando a sua inconfundível singularidade? 2) o que é que Jean-François…

      A C-P

      May 9, 2023
      art, art theory, exhibitions, flash essay, philosophy
      Manuel Casimiro, ovoide
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