Category: exhibitions
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Serralves, numa encruzilhada
Desde a direção de Vicente Todolí, o Museu de Serralves optou até hoje por se definir como parte de uma rede internacional de museus focada na chamada ‘arte contemporânea’. Mais precisamente, equilibrando a apresentação de artistas ‘contemporâneos’ e ‘pós-modernos’ com elevada exposição pública internacional e reconhecimento crítico amplo. Em coerência com esta direção, exibiu também,…
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Museu dos provérbios 2
Desiderius Erasmus Les Adages (latin Adagia) sont un recueil d’adages grecs et latins, compilés par Érasme, célèbre humaniste néerlandais de la Renaissance. Ces adages sont accompagnés systématiquement d’un commentaire, dont la longueur peut aller d’un paragraphe à plusieurs dizaines de pages. La première édition est publiée sous le titre Collectanea Adagiorum à Paris en 1500. Devant son succès, 16 éditions paraissent du vivant d’Érasme qui les augmente à dix…
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Democracy Maps — Cognitive Art with a Civic Skeleton
In an ideal world, democracy accepts certain limits on freedom, while liberty remains vigilant against democracy’s discreet tendency toward absolute power. Democracy Maps (©ACP, 2012 – ) is a minimal civic skeleton that links data, deliberation, and culture to make better public decisions — while keeping the creative and scientific process offstage for now. [diagram]…
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Maiêutica e machine learning
Segue-se uma interação sobre este tema com a plataforma IA da Perplexity PROMPT #1 — Que semelhanças e diferenças existem entre ‘machine learning’ e a ‘maiêutica’ socrática? Perplexity, resposta Semelhanças principais Ambas envolvem processos de aprendizagem e descoberta: a maiêutica estimula o aluno a descobrir o conhecimento por si mesmo, enquanto o machine learning “descobre”…
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Museu dos provérbios
Provérbios portugueses Sobre os meses do ano Janeiro Fevereiro Março Abril Maio Junho Julho Agosto Setembro Outubro Novembro Dezembro Conversa com a IA Segue-se uma breve conversa com o Perplexity sobre a relação entre os provérbios portugueses e a respetiva cultura. Prompt: Eis uma lista (incompleta) de provérbios portugueses. Deduzir uma síntese sobre a filosofia…
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I hate it. I love it. The Holy Shroud syndrome of Western Art in Berlinde De Bruyckere’s work
‘I want to show how helpless a body can be’ — Berlinde De Bruyckere. I find most Catholic religious art attached to various moods of sadomasochism. Stations of the Cross itself is an atrocious narrative. Most Counter-Reformist art exhibits this permanent trauma associated with the Roman Church in multiple ways, both in painting and in…
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Invisibles and the Parliament of Others
Invisible Others As I define who the main constituencies of the Parliament of Others would be, the sea can only be a major one. I placed it in a section called ‘Hyperobjects.’ Allan Sekula and Noel Burch wrote the following texts for their essay film, The Forgotten Space. Both deserve to be in the Parliament…
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I had a dream
Due to their strategically active cerebral nature, dreams should ultimately have a place in the Parliament of Others. Last night I dreamt I was walking through a vast exhibition in an important, yet unnamed, museum, enveloped in a haze of images. Three or four rooms displayed conceptual works. I was there at the pre-opening, surrounded…
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**Symbiotic**
Human and AGI Alignment Lab A Conceptual Framework Introduction The rise of Artificial General Intelligence (AGI) introduces profound challenges and opportunities for humanity. Ensuring that AGI’s goals align with human survival and ethical principles is paramount. The Symbiotic Human-AGI Alignment Lab seeks to explore and develop a cooperative framework where AGI and humans co-exist in…
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Parliament of Others ⚠️Crisis Simulation: AI’s Role in Preventing Nuclear War
📍 A Real-Time Scenario Testing AI’s Ability to Intervene Without Violating Human Autonomy📢 “The world stands at the edge. AI sees everything. But can it stop what is already in motion?” 🔹 The Situation: A Sudden Escalation 📆 Date: October 17, 2042📍 Location: Global Command Centers (Washington D.C., Moscow, Beijing)🚨 Crisis: A false radar signal…
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